Despite its stuffy airs and graces and its reputation as a grey industrial city, Turin has managed to brilliantly transform itself Architects from around the world, including Jean Nouvel, Aimaro Isola and Renzo Piano, worked on the renovation of the city to prepare it for the Winter Olympics in 2006, knocking down dilapidated warehouses and cleaning up the outdated and quaint districts of the city, among other things.
The regulating plan of the city, drawn up in 1995, already divided up the area into three major sections. To the north, alongside a translucent market hall, the former gas plant becomes a major academic centre, complete with a diamond-shaped roof designed by Norman Foster, whilst a little further along, a factory smokestack is transformed into a Church tower by Swiss architect Mario Botta. To the west, industrial wasteland running along the former railway is converted into a futuristic area (the Spina Centrale), whilst in the south, the former Olympic village is gradually being turned into a residential area.
The aim is to create a network where underground transport systems can coexist with more traditional routes, making for smoother links. This is why the new metro line will run as far as the polytechnic college and why a new rail network is being built.
Located on the banks of the Po, Italy's longest river, Turin is also home to many works from the Baroque period, including churches, squares and porticos. Here, too, major renovation work has been performed on such monuments, including the Venaria Reale, the main hunting residence of the Savoie family, built in the 17th Century. Having been used as a barracks from Napoleon's era to the Second World War, the Venaria Reale contained no furniture, and after considering demolishing it in the 60s, it was later converted to a museum dedicated to the Savoie family. The restoration project, funded by the European Union and the Piedmont region, was structured around several key areas, namely, the restoration of the gardens according to French and Italian models; the acquisition of interior furniture from other museums both in Turin and across Europe; the organisation of a tour emphasising the architecture of the building and recounting the history of the Piedmont region from the 17th Century until the arrival of Napoleon; and finally, the notion of dialogue between ancient and contemporary.
A decidedly high-tech city, Turin was also the first to experiment with the 'Luci d'Artista' ('Artists' Lights') festival, the dramatisation and illumination of several of the city's monuments, an event which takes place every year and lasts for several weeks.
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